"
I don't really think about legacy, I'm more interested in my next thing, my next project… my writing is driven by a love of music, and an affection for being around music, and for telling stories… I don't have a grand plan; this is my life.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
A film score is not a symphony, or can it be… when you compose for film, you are part of a larger storytelling structure made up of acting, direction, lighting, cinematography and much more. Collaborating on these projects is a puzzle-solving exercise where you- as a composer- are looking for those things that music can do which the other elements cannot.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
Previously, there were a lot of gatekeepers that controlled how you were supposed to listen to music… you'd walk into a record shop, and there was a special room for classical, and different genres in different places… that's all gone now, and you can follow your enthusiasm and affection for music however you want to. There's something beautiful and liberating about that.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
The way an orchestra is normally structured is cast in the image of what people in the 18th century thought society should look like. It's very top-down, a hierarchical power structure… reflecting the vision of society at the time. I wanted to subvert that by creating a new orchestral structure that reflected how society could be so it came through the musical DNA.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
There are multiple connections between human beings and music. Most fundamentally- we respond emotionally to music- sound is communicative, it affects us, it causes feelings and connections. Sound making and listening are communal activities, they're communicative activities… music moves us, and when we listen to it, we feel transported.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
I don't really think about legacy, I'm more interested in my next thing, my next project… my writing is driven by a love of music, and an affection for being around music, and for telling stories… I don't have a grand plan; this is my life.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
We've had an explosion of platforms that have atomized the delivery and consumption of music, and I'm really for that- it's democratized music. Previously, there were a lot of gatekeepers that controlled how you were supposed to listen to music… that's all gone now.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
The way an orchestra is normally structured is cast in the image of what people in the 18th century thought society should look like. It's very top-down, a hierarchical power structure… I wanted to subvert that by creating a new orchestral structure that reflected how society could be.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
I feel as if our world is moving away from the ideals we subscribed to, and I wanted to reflect that through music. I wanted to create something hopeful and uplifting from this dark material of our times as a metaphor for the questions we are facing as a society.
— Max Richter
Renowned composer known for film scores and electronic classical music
"
Most fundamentally- we respond emotionally to music- sound is communicative, it affects us, it causes feelings and connections. Sound making and listening are communal activities, they're communicative activities… music moves us, and when we listen to it, we feel transported.
— Max Richter
Renowned composer known for film scores and electronic classical music