Film Conversations: Greengrass, Loach & Musk
The moving image has been with us as long as we have made art. From prehistoric shadowgraphy, through to shadow puppetry and camera obscura- we have been fascinated by creating and observing…
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The moving image has been with us as long as we have made art. From prehistoric shadowgraphy, through to shadow puppetry and camera obscura- we have been fascinated by creating and observing…
From the archive
You have to be clear about the purpose of what you're making. If you're making a film that's going to cost a lot of money- inevitably it will be a commercial endeavor by a studio or financier- and you have a responsibility to make that investment worthwhile; certainly, if you don't, you won't be working in the industry for very long.
— Paul GreengrassDirector of Bourne action films and political thrillers
Cinema also exists within a framework of genre- and that can be challenging as genre can often flatten storytelling. It can also be a strength- when you play inside a genre- take the case of John le Carre for instance, he's a great novelist but works within the genre of spy-fiction, and transcends the usual narratives.
— Paul GreengrassDirector of Bourne action films and political thrillers
The greatest film-makers have an ability to work beyond the genre. Kubrick, Scorsese and even the great Ford who made Westerns, but transcended them. There's something about the vision of these film-makers that can use the supporting framework of a genre but create something which appeals to a wider story and audience. That's why they are the great masters.
— Paul GreengrassDirector of Bourne action films and political thrillers
I think it's always good to find a film which is a question and an answer. It's hard to do – and often, when you've already decided the answer before you make the film, you'll find the film is less successful. In a funny way- if you can frame your question accurately as something that you don't know the answer to- and use the film as a way of finding the answer- you'll get a more complex and engaging film.
— Paul GreengrassDirector of Bourne action films and political thrillers
When you're young, you're trying to earn a living- that's the most important thing. But alongside trying to earn a living, you're trying to find a voice and make films about things that interest you- you have an intentionality to your work. As you get more mature, gain trust and success- you get more freedom to make what you want- but those first-principles still apply; you are making a film that speaks to the things you're interested in.
— Paul GreengrassDirector of Bourne action films and political thrillers
The greatest film-makers have an ability to work beyond the genre. Kubrick, Scorsese and even the great Ford who made Westerns, but transcended them. There's something about the vision of these film-makers that can use the supporting framework of a genre but create something which appeals to a wider story and audience.
— Paul GreengrassDirector of Bourne action films and political thrillers
I think it's always good to find a film which is a question and an answer. It's hard to do – and often, when you've already decided the answer before you make the film, you'll find the film is less successful. In a funny way- if you can frame your question accurately as something that you don't know the answer to- and use the film as a way of finding the answer- you'll get a more complex and engaging film.
— Paul GreengrassDirector of Bourne action films and political thrillers