The moving image has been with us as long as we have made art. From prehistoric shadowgraphy, through to shadow puppetry and camera obscura- we have been fascinated by creating and observing moving depictions of culturally and socially significant aspects of life. It was not until the mid 1800s as technology became sufficiently advanced that we started to see film as we would recognise it being produced as inventors and artists started to not just document life but create narratives to tell stories. There is something primal and comforting about how we connect to moving images; perhaps as we are hard-wired to detect and respond to motion in our environment. That direct connection from moving image to emotional response perhaps explains why film and cinema dominate culture. In these exclusive interviews, I speak with two of the world’s most remarkable and accomplished film makers. Paul Greengrass (Noted For: Bloody Sunday, The Bourne Supremacy, The Bourne Ultimatum, Jason Bourne, United 93, Green Zone and Captain Philips) and Ken Loach (Noted For: Cathy Come Home, Kes, Land and Freedom, Sweet Sixteen, The Wind That Shakes The Barley, Looking for Eric, The Angels’ Share and I, Daniel Blake).