We enter into love affairs often based on our individual mythology, rather than a shared one, driven by expectations shaped by our family backgrounds. We are essentially strangers continuously striving to understand each other.

The world is lying to you. It tells you that in 10,000 hours you can become excellent at what you do and that your strength will never wane. That is a complete, utter, falsehood. At some point, the greatness that came to define who 'you' are will wane.

It absolutely never failed to amaze and lure me in. In fact, if I was at the window during the work day, I had to set a timer on my watch, because I would just get immersed in the view. It's like a transcendence; I just started doing meditation, and it's a little like that where you can just completely separate yourself and just be sucked into it.

The great thing about film is that the capital structures allow you to pick where you want to be on the risk-return spectrum. If you're looking for lower risk, you can sit where the banks used to- advancing money against known collateral.

I'm just a person who loves to do things before others. I try to do things before they become huge – I feel the market, the world, and try to be more-close to the world today. That's what I think it takes to be an entrepreneur.

Being underestimated often brings out the best in me. It's not just about overcoming insecurity but leveraging it as a catalyst to ensure that I bring everything I have to the mission and that I muster the courage to show people who I really am.

Dubai offers a lot. We're currently at the Dubai International Financial Centre (DIFC). There's a separate jurisdictional regime in this area meaning that companies are treated under English common-law principles. It's a very safe environment for transactions to occur, and this gives us a big advantage of areas which simply do not have that framework.

As actors, we are taught to show up ready to explore what might happen without a clear sense of the outcome. In a performance, you live in the unknown—you rehearse extensively, but the live performance can unfold in any number of ways. This requires you to be nimble, flexible, and curious.

We are held back by our deep, underlying fears. Fears of rejection, fears of being the imposter. We need to reframe these fears and work on regret minimisation. If you didn't take that action, spark up that conversation, or try that idea, would you regret it? if you would- then don't hesitate, do it.

Songs are these magnetic creations of words and music, in very short form. A song needs to hit you in less than a minute and sometimes it can be an incredibly solitary, emotional experience where it's just you and the imagined relationship with that singer.

Imagine you have to walk through a field that has a few land mines scattered through it. If you walk through it and nothing happens, it seems there is no danger. If you walk across it enough times, you'll step on a landmine. Traditional risk management simply fails to account for the fact that the most dangerous risks are those which occur infrequently and don't show up in track-records.

Legacy is not for us to decide, it's not for us to chase, it's not for us to get, it's not for us to enjoy. I don't think about it much.