From 600+ conversations with the world’s leading thinkers.
I think it's always good to find a film which is a question and an answer. It's hard to do – and often, when you've already decided the answer before you make the film, you'll find the film is less successful. In a funny way- if you can frame your question accurately as something that you don't know the answer to- and use the film as a way of finding the answer- you'll get a more complex and engaging film.
Cinema also exists within a framework of genre- and that can be challenging as genre can often flatten storytelling. It can also be a strength- when you play inside a genre- take the case of John le Carre for instance, he's a great novelist but works within the genre of spy-fiction, and transcends the usual narratives.
If you truly immerse yourself in a role, it's akin to spontaneously adopting an accent – suddenly, you find yourself expressing thoughts that seem to emerge from an unexplored facet of your personality. This latent potential has always existed within us.
When it came to Avatar… James Cameron's track record was just second to none- phenomenal. The creative vision he had to that film, tied to Fox's commitment in the movie and the advances in technology made it seem- at the time- quite an easy decision.
Success in entertainment isn't just about making hits—it's about taking risks, pushing boundaries, and never losing sight of the human element that makes stories matter.
The digital world has democratized content – it's now available on every platform all the time – and we're going to see a whole raft of new stars, because talent can be rewarded.
The great thing about film is that the capital structures allow you to pick where you want to be on the risk-return spectrum. If you're looking for lower risk, you can sit where the banks used to- advancing money against known collateral.
Film is a reflection of society, both present and past.
I got through the audition, but I'll never forget the writer/director telling me, 'what prompted us to call you was the way your bio was written, it was great!' – That's why I credit my sister for so much in my life, including my very first opportunity as an actor.
The most powerful stories come from genuine human connection. When you truly understand someone's experience, you can translate that into something universal that resonates with audiences everywhere.
When you're young, you're trying to earn a living- that's the most important thing. But alongside trying to earn a living, you're trying to find a voice and make films about things that interest you- you have an intentionality to your work. As you get more mature, gain trust and success- you get more freedom to make what you want- but those first-principles still apply; you are making a film that speaks to the things you're interested in.
Working class life has been important to me; it's not a question of pity or disaster- but of enjoying the comedy, warmth and generosity of spirit that you find there – alongside the use of language, dialects, and the stories of childhood and old-age.