From 600+ conversations with the world’s leading thinkers.
The greatest film-makers have an ability to work beyond the genre. Kubrick, Scorsese and even the great Ford who made Westerns, but transcended them. There's something about the vision of these film-makers that can use the supporting framework of a genre but create something which appeals to a wider story and audience. That's why they are the great masters.
We're tackling serious subjects like life, death, and existential questions, but in a lighthearted way. This approach makes heavy topics more approachable. There's a cultural instinct to revere those who have passed, as if they know something we don't. Yet, in our show, we flip this idea on its head.
Film is a reflection of society, both present and past. I think the film and it's innovations sometimes has to catch up to society but sometimes it leads society too. Movies are stories, movies are people who come out with ideas about something they want to say, something they want to tell someone.
In 2011, she participated in the Indian reality television series Big Boss. She hosts the Indian reality show Splitsvilla. In 2012 she made her Bollywood debut in Pooja Bhatt's erotic thriller Jism 2 (2012) and shifted her focus to mainstream acting which was followed up with Jackpot (2013), Ragini MMS 2 (2014) and Ek Paheli Leela (2015).
The most powerful stories come from genuine human connection. When you truly understand someone's experience, you can translate that into something universal that resonates with audiences everywhere.
Despite every adversity, never give up on your dreams. I am living proof that having been born and brought up in the smallest country in the Southern Hemisphere, it is possible to fulfil your ambition and succeed despite seemingly insurmountable odds.
You asked why movies have become so popular, I'm going to tell you why, it's because the images move… They're not static. I could stare at a Van-Gogh for hours, but I sit in a theatre and the images move. As the frames move and tell a story, it is that movement which emotionally connects you.
To me personally, movies are about escapism. Movies are about sitting in a theatre, watching something- watching a story unfold with people I don't know- watching that happen and emoting an emotion knowing that for those two hours, when I walk into that theatre, I don't have to worry about what is going on outside.
The great thing about film is that the capital structures allow you to pick where you want to be on the risk-return spectrum. If you're looking for lower risk, you can sit where the banks used to- advancing money against known collateral.
I was studying at Xavier's College, Mumbai doing my 11 standard, and I was taken ill with Typhoid. I was recuperating at home, and my closest friend Manisha saw a poster put-up in college which was basically a shout-out to all aspiring actors to audition for a campus based TV show. She knew I'd just done a 2 month production oriented drama workshop at Prithvi Theatre, and she called me and said, '…would you be interested? They're asking for pictures!' – I didn't have any, and didn't know how to go about getting headshots, and I wasn't well!
The look of a film indicates the relationship you have with characters. You don't pick an aesthetic in abstract – you need to have a core point, a core reason to make a film, and the form of aesthetic springs from that necessity. Everything has to relate to that core intention.
Success and fame, especially fame, can instigate fundamental shifts within us at a cellular level. The very nature of fame is peculiar; it's akin to an insatiable flame that ceaselessly yearns for more, compelling you to endlessly seek something, despite its ultimate emptiness.