From 600+ conversations with the world’s leading thinkers.
Those three hours in a movie theatre gave people a chance to forget their woes and become one with their hero or heroine on screen. Cinema formed a means of escapism for people, from what they had to go through in their daily lives.
I believe, personally, that movies allow people to be taken places they can't get to on their own- be it travel, or culture, or learning. The arts are not just one, they are all connected- and movies have become a huge part of the arts.
The greatest film-makers have an ability to work beyond the genre. Kubrick, Scorsese and even the great Ford who made Westerns, but transcended them. There's something about the vision of these film-makers that can use the supporting framework of a genre but create something which appeals to a wider story and audience. That's why they are the great masters.
You have to be clear about the purpose of what you're making. If you're making a film that's going to cost a lot of money- inevitably it will be a commercial endeavor by a studio or financier- and you have a responsibility to make that investment worthwhile; certainly, if you don't, you won't be working in the industry for very long.
When I told my parents and sister – my sister (who has always been my champion) took me to a local photo studio. I had my best clothes, she did my make-up and I posed in front of the camera. I sent those pictures with a bio that my sister wrote, and I got called for an audition.
Despite every adversity, never give up on your dreams. I am living proof that having been born and brought up in the smallest country in the Southern Hemisphere, it is possible to fulfil your ambition and succeed despite seemingly insurmountable odds.
The first thing I'd say is to quote an old saying by William Goldman which is, 'in this business, nobody knows anything' – otherwise it would be sure fire and completely fail-safe!
Cinema also exists within a framework of genre- and that can be challenging as genre can often flatten storytelling. It can also be a strength- when you play inside a genre- take the case of John le Carre for instance, he's a great novelist but works within the genre of spy-fiction, and transcends the usual narratives.
The great thing about film is that the capital structures allow you to pick where you want to be on the risk-return spectrum. If you're looking for lower risk, you can sit where the banks used to- advancing money against known collateral.
I was studying at Xavier's College, Mumbai doing my 11 standard, and I was taken ill with Typhoid. I was recuperating at home, and my closest friend Manisha saw a poster put-up in college which was basically a shout-out to all aspiring actors to audition for a campus based TV show. She knew I'd just done a 2 month production oriented drama workshop at Prithvi Theatre, and she called me and said, '…would you be interested? They're asking for pictures!' – I didn't have any, and didn't know how to go about getting headshots, and I wasn't well!
The digital world has democratized content – it's now available on every platform all the time – and we're going to see a whole raft of new stars, because talent can be rewarded.
The greatest film-makers have an ability to work beyond the genre. Kubrick, Scorsese and even the great Ford who made Westerns, but transcended them. There's something about the vision of these film-makers that can use the supporting framework of a genre but create something which appeals to a wider story and audience.