Editor’s pick Culture, Society, Sports & Arts
In this interview, I spoke to Sherry Turkle, the MIT psychologist who has spent forty years studying our relationships with machines, about her new book Artificial Intimacy: why a chatbot cannot be a therapist, what these…
In this interview, I spoke to Dave Plummer, the Microsoft engineer who wrote Windows Task Manager, about growing up undiagnosed autistic, why Microsoft's whiteboard interviews suited him, rebuilding Task Manager with AI…
In this interview, I spoke to Professor Susan Schneider, the philosopher who held NASA's astrobiology chair, about why asking whether ChatGPT is conscious is a category mistake, how consciousness might sit beneath…
In this interview, I spoke to Michael and Liam Bates of the Principality of Sealand, a wartime fort in the North Sea that Britain tried to cut off, mercenaries seized and a…
In this interview, I spoke to David Heinemeier Hansson, creator of Ruby on Rails and co-owner of 37signals, about why he stopped writing code by hand, why AI is ending programmers' monopoly…
In this interview, I spoke to Carlos Gutierrez, former US Secretary of Commerce and the youngest chief executive in Kellogg's history, about fleeing Cuba as a child, selling cereal from a van…
In this interview, I spoke to Jesper Kouthoofd, founder of Teenage Engineering, about why he still refuses the title of designer, why he thinks every product is an illusion and the honest…
In this interview, I spoke to Jonathan Caplan KC, one of Britain's most senior barristers, who has spent 50 years applying the evidentiary standards of the criminal Bar to unidentified anomalous phenomena.…
In this interview, I spoke to Michelle Gielan, positive psychology researcher, former CBS Morning News anchor and author of Resilient Optimism, about why optimism is a set of behaviours rather than a…
Voices in the archive
From the archive
“It's the ultimate invention—the last one we'll ever need to make—because once we have AI that is generally intelligent and then superintelligent, it will do the inventing far better than we can. In that sense, it's a handing over of the baton.”
“The reason I chose the suit, specifically the iconic Savile Row suit, as the foundation of my work is because it stands for something far beyond just clothing. It symbolises culture in its purest form.”
“One you have to get a unique insight. It starts there. Two, you need to be prepared to devote a lot of energy and commitment.”
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